Steamboat Movie Times

Wildhorse Stadium Cinemas
655 Marketplace Plaza
970-870-8222
www.metrotheatres.com


June 5 to June 11

“Aloha” PG-13
5:10 and 7:40 p.m. Friday
2:20, 5:10 and 7:40 p.m. Saturday and Sunday
5:10 and 7:40 p.m. Monday through Wednesday 2:20, 5:10 and 7:40 p.m. Thursday

“San Andreas” PG-13
4:50 and 7:30 p.m. Friday
2, 4:50 and 7:30 p.m. Saturday and Sunday
4:50 and 7:30 p.m. Monday through Wednesday
2, 4:50 and 7:30 p.m. Thursday

”Insidious: Chapter 3” PG-13
5:40 and 8:10 p.m. Friday
2:50, 5:40 and 8:10 p.m. Saturday and Sunday
5:40 and 8:10 p.m. Monday through Wednesday
2:50, 5:40 and 8:10 p.m. Thursday

“Spy” R
5 and 7:50 p.m. Friday
2:10, 5 and 7:50 p.m. Saturday and Sunday
5 and 7:50 p.m. Monday through Wednesday
2:10, 5 and 7:50 p.m. Thursday

”Entourage” R
5:20 and 8 p.m. Friday
2:30, 5:20 and 8 p.m. Saturday and Sunday
5:20 and 8 p.m. Monday through Wednesday
2:30, 5:20 and 8 p.m. Thursday

“Mad Max: Fury Road” R
5:30 and 8:20 p.m. Friday
2:40, 5:30 and 8:20 p.m. Saturday and Sunday
5:30 and 8:20 p.m. Monday through Wednesday
2:40 and 5:30 p.m. Thursday

“Jurassic World” PG-13
8:20 p.m. Thursday June 11


June 12 to June 18

“Jurassic World” PG-13
3:40 and 6:40 p.m. 3D Daily
12:50, 2:10, 5:10, 8 and 9:30 p.m. Friday through Sunday
2:10, 5:10 and 8 p.m. Monday through Thursday

“San Andreas” PG-13
1, 3:50, 6:30 and 9:10 p.m. Friday
1:50, 4:40 and 7:30 p.m. Monday through Thursday

“Spy” R
1:10, 4, 6:50 and 9:40 p.m. Friday through Sunday
2, 5 and 7:50 p.m. Monday through Thursday

”Entourage” R
2, 4:30 and 7 p.m. Friday through Sunday
2:20 and 4:50 p.m. Monday through Thursday

”Insidious: Chapter 3” PG-13
2;20, 4:45, 7:10 and 9:45 p.m. Friday through Sunday
3:10 and 5:40 p.m. Monday through Thursday

“Mad Max: Fury Road” R
9:35 p.m. Friday through Sunday
8:10 p.m. Monday through Thursday

“Despicable Me” PG
10 a.m. Tuesday, June 16 as part of the Summer Kids Series

“Inside Out” PG-13
7:20 p.m. Thursday, June 18


June 19 to June 25

“Jurassic World” PG-13
4:10 and 7 p.m. 3D Daily
1:15, 2:30, 5:30 and 8:30 p.m. Daily

“San Andreas” PG-13
1:45, 4:40 and 7:30 p.m. Friday through Wednesday
1:45 and 4:40 p.m. Thursday

“Spy” R
2:35, 5:25 and 8:15 p.m. Friday through Wednesday
2:35 and 5:25 p.m. Thursday

“Inside Out” PG
2:45 and 5:15 p.m. 3D daily
12:15, 1:30, 4, 6:30 and 7:45 p.m. Friday through Sunday
1:30, 4, 6:30 and 7:45 p.m. Monday through Thursday

“Max” PG
7:30 p.m. Thursday, June 25

“Ted 2” R
8:15 p.m. Thursday, June 25

Summer Kids Series: “Shrek” PG
2:45 and 5:15 p.m. 3D daily


June 26 to June 30

“Max” PG
2:25, 5 and 7:50 p.m. Friday
11:50, 2:25, 5 and 7:50 p.m. Saturday and Sunday
2:25, 5 and 7:50 p.m. Monday and Tuesday

“Ted 2” R
1:30, 4:10, 5:40, 7 and 8:20 p.m. Friday through Monday
1:30,4:10, 5:40 and 8:20 p.m. Tuesday

“Jurassic World” PG-13
4:30 p.m. Friday through Tuesday
1:40, 2:50 and 7:30 p.m. Friday
12:00, 1:40, 2:50 and 7:30 p.m. Saturday and Sunday
1:40, 2:50, 7:30 p.m. Monday and Tuesday

“Inside Out” PG
2:40 and 5:10 p.m. 3D Friday through Tuesday
1:20, 4, 6:30 and 7:40 p.m. Friday
12:10, 1:20, 4, 6:30 and 7:40 p.m. Saturday and Sunday
1:20, 4, 6:30 and 7:40 p.m. Monday
1:20, 4 and 7:40 p.m. Tuesday

“Magic Mike XXL” R
8:10 p.m. Tuesday, June 30

“Terminator Genisys” PG-13
8 p.m. Tuesday, June 30

Summer Kids Series: “The Lego Movie” PG
10 a.m. 3D daily, all seats $2


July 1 to July 9

“Max” PG
1:40, 4:30 and 7:20 p.m. Wednesday
1:40 and 4:30 p.m. Thursday

“Ted 2” R
2;30, 5:20 and 8:10 p.m. Wednesday
2:30 and 5:20 p.m. Thursday

“Jurassic World” PG-13
5 p.m. 3D Daily
2 and 7:50 p.m. Daily

“Magic Mike XXL” R
2:20, 5:10 and 8 p.m. Daily

"Terminator Genisys” PG-13
4:40 3D Daily
1:50 and 7:40 p.m. Daily

“Inside Out” PG
2:10, 4:50 and 7:30 p.m. Daily

Summer Kids Series: “Smurfs 2” PG
10 a.m. July, 7 all seats $2

“Minions” PG
7:20 p.m. starts Thursday, July 9

“Selfless” P-13
8:10 p.m. starts Thursday, July 9


“Magic Mike XXL"
Comedy, R, 115 minutes
Sitting through "Magic Mike XXL" is like being a sober straight guy at a drunken bachelorette party where you not only have to sit through an endless medley of Cirque-du-Soleil-meets-Chippendales dance routines, you have to listen to the dancers talk about life between routines. Kill me now. Channing Tatum returns as the titular character in a movie that is so excruciatingly dumb I felt as if someone had shaved 10 points off my IQ by the time I bolted for the exits. But the big finale, in which each of the main guys gets his own set piece, complete with elaborate sets and a specific theme, is beyond absurd. I know: I'm not the target audience. Perhaps the fans that come to "Magic Mike XXL" for nothing more than a silly, steamy good time will find just that. Enjoy. Just don't say I didn't warn you about all that male-stripper conversation.
Rating: One star

— Richard Roeper, Universal Press Syndicate

"Terminator Genisys"
Sci-fi action, PG-13, 125 minutes
In the admittedly well-made and action-packed but ridiculously convoluted and sometimes even off-putting "Terminator Genisys," the fantastically entertaining Arnold Schwarzenegger is back as the old-school cyborg who never uses 10 words when five will do. The best thing in the movie is Schwarzenegger, who delivers the Guardian's lines with perfect timing and creates an empathetic character because, as we know, nearly all the best movie robots somehow become just a little bit human as time goes on. When bad things happen to the Guardian, we feel it. Not so much with the new Sarah and the new Reese and the new John Connor, who simply don't resonate like their counterparts from the 1980s and 1990s. Of course, the special effects are more impressive than ever. But nearly every curveball offered up in this new parallel-universe version of the Terminator world isn't as interesting or as original as the timeline we loved in the first place.
Rating: Two stars

— Richard Roeper, Universal Press Syndicate

“Ted 2”
Comedy, R, 116 minutes
The thing about Ted is, he's a jerk.Yes, it's quite a thing -- a talking, beer-swilling, pot-smoking, foul-mouthed teddy bear interacting with the humans of Boston, working as a cashier, even falling in love with and marrying a hot and trashy woman who is crazy about him even though he doesn't have a driver's license. It's a testimony to Seth MacFarlane's wonderfully twisted imagination and to the special effects that we pretty much buy into the character of Ted as he engages in juvenile hijinks with his best friend, John (Mark Wahlberg), cracks wise about pop culture, spends much of his time chasing the perfect high and insults the majority of people he encounters. Wahlberg does have chemistry with Ted, which IS kind of amazing given Ted's a combination of MacFarlane's voice and a stuffed animal and CGI magic. And every 15 minutes or so, I got a hearty so-wrong-it's-right laugh out of a visual gag or a cringe-inducing bit of dialogue. Mostly though, "Ted 2" feels like far too many other sequels: born of box office expectations more than a bona fide reason to return to the characters we loved the first time around.
Rating: Two stars

— Richard Roeper, Universal Press Syndicate

“Inside Out”
Animated adventure, PG, 93 minutes
The very best Pixar films aren't just children's movies with references and touchstones to keep the adults interested; they're ambitious, complex, deeply layered movies for grown-ups that happen to be populated with characters, colors and primary stories that appeal to children as well. It's like an animated "Wizard of Oz" adventure within Riley's mind. Riley's memories arrive in the form of color-coded orbs and are stored away. Some of her experiences become important, influential long-term memories; others are dumped into the vast wasteland of forgotten experiences. So it is with "Inside Out," a bold, gorgeous, sweet, funny, sometimes heartbreakingly sad, candy-colored adventure that deserves an Academy Award nomination for best picture. Not just in the animated category -- in the big-kid section, right there with the top-tier live-action films. It's one of the best movies of the year, period.
Rating: Four stars

— Richard Roeper, Universal Press Syndicate

“Jurassic World”
Sci-fi action, PG-13, 124 minutes
"Jurassic World" is pure, dumb, wall-to-wall fun. When they hand you your 3-D glasses, you can check your brain at the door and pick it up on your way out. "Jurassic World" earns every inch of its PG-13 rating for some bone-crunching violence, numerous scenes of dinosaurs munching on humans and blood spraying here and there. There's one fairly sick and wickedly funny scene in which a character is plucked from the ground by a Pteranodon and then dropped in mid-air, only to land in the clutches of another Pteranodon, Cirque du Soleil-style, and that's not the end of her dilemma. The special effects are indeed pretty special. Rare is the occasion when it doesn't feel as if humans and dinosaurs are sharing the same space. (It does happen once or twice.)You happily strap on the seat belt and let the silly greatness of it all wash over you.
Rating: Three and a half stars

— Richard Roeper, Universal Press Syndicate

“Entourage”
Comedy, R, 104 minutes
The HBO series "Entourage" was a slick, funny, sexy slice of eye candy, loosely based on Mark Wahlberg's early adventures in Hollywood as a rising star -- but by the time the show ended its seven-year run in 2011, it had already been spinning its wheels for a couple of years. Four years later, here comes "Entourage" the movie, and it's like catching up with an old friend and remembering why you don't hang out with him anymore: He's stuck in a rut and he has nothing new to say. You know a movie's in trouble when several minutes are devoted to a Piers Morgan interview with Vinnie and E. Piers Morgan as Piers Morgan? I don't want to see that on TV, let alone on the big screen.There's gratuitous nudity, lots of partying, zippy camera moves, plenty of product placement and did we mention all those celebrity cameos? t all feels more like a rerun than a fully formed, stand-alone movie.
Rating: Two stars

— Richard Roeper, Universal Press Syndicate

“Spy”
Comedy, R, 120 minutes
The Central Intelligence Agency of "Spy" is maybe the least competent and most ridiculous CIA in movie history. A war room in the basement of Langley headquarters is infested with mice AND bats, and the agents working the computers and acting as eyes and ears for the spies in the field seem more concerned with office birthday parties than, you know, making sure nobody on their team gets killed out there. In the field, many of the CIA operatives are either corrupt or bungling or both. A deskbound CIA agent (Melissa McCarthy) is sent on an undercover mission in a foul-mouthed, often hilariously disgusting, slightly padded comedy that soars on the bountiful comedic talents of McCarthy, Rose Byrne and Jason Statham. What does work, in every scene, is Melissa McCarthy's performance. She's as funny and as winning as anyone in the movies these days.
Rating: Two stars

— Richard Roeper, Universal Press Syndicate

“Aloha”
Comedy, drama, romance PG-13, 105 minutes
Bradley Cooper is terrific as a defense contractor working in Hawaii, reconnecting with an ex (Rachel McAdams) and charmed by a fighter pilot (Emma Stone). Brian respects the Hawaiian culture, and Allison is a flat-out spiritual devotee. There's lots of talk of various Hawaiian myths. We get a strange and beautiful occurrence late one night that may or may not have been an apparition. At times it does have the feel of a movie that's less than the sum of its parts, as it veers from a study of the complicated political history and rich cultural traditions of Hawaii to a commentary on filthy rich civilians using the military for their own gain to a romantic quadrangle, and what's with the colonel and his flying fingers, anyway? And there are some lovely musical interludes. Cameron Crowe has directed a great-looking movie with just enough bright spots to get us past the cloudy moments.
Rating: Three stars

— Richard Roeper, Universal Press Syndicate

“San Andreas"
Action, drama, thriller. PG-13, 114 minutes
Disaster movies, which pre-date the zeitgeist’s fascination with a world falling apart around us, are always great measures of the state of the Hollywood art of special effects. In “San Andreas,” you will believe the ground is rippling under Los Angeles, the cracking collapse of Hoover Dam and a tidal wave is submerging San Francisco. But what sells this formulaic corker of Apocalypse Porn is the cast. Paul Giamatti, as a Cal Tech seismologist who has just this minute uncovered a way to predict earthquakes, wears the horror of what he sees and what he knows is to come on his face.Carla Gugino and Alexandra Daddario let panic, grief and relief when the shaking ends wash over them in what feels like real time.“San Andreas” is a well-executed reminder of why we don’t need to fret over the zombie apocalypse when there are plenty of things Mother Earth can throw at us.
Rating: Two stars

— Richard Roeper, Universal Press Syndicate

“Tomorrowland"
Fantasy adventure, PG, 130 minutes
A girl discovers a futuristic parallel universe in this great-looking, old-fashioned, at times soaring adventure ultimately brought down by a needlessly convoluted plot, some surprisingly casual violence and heavy-handed lectures about how we're our own worst enemy. It's a bumpy, uneven ride, but "Tomorrowland" had just enough charm and excitement and visual treats that I was close to recommending it -- until a final series of scenes that reminded me of certain particularly schmaltzy TV spots, and I'll just leave it at that. Instead of dialing up the fun, the filmmakers piled on with the lecture. In the last few minutes of this movie, I was reminded of my days as a student, when the semester was over and it was the last day of school, and the teacher was still lecturing us as the final bell rang. Enough. We get it. We need to do better. Now can we get back to the flying cars?
Rating: Two stars

— Richard Roeper, Universal Press Syndicate

“Pitch Perfect 2"
Musical, Comedy. PG-13, 115 minutes
The first "Pitch Perfect" was a surprise hit, thanks to an infectious soundtrack filled with instrument-free renditions of dozens of pop and hip-hop hits, an unabashedly life-affirming attitude and a winning cast, led by the ever-adorable Anna Kendrick. It was a pure confection of fun. The sequel to 2012's surprise hit about a cappella singers has a few wickedly funny one-liners and occasional moments of zany inspiration, but the musical numbers are often curiously dull, and there are far too many scenes that serve as time-killing filler and/or journeys into head-scratching, "What was THAT?" territory.
Rating: Three stars

— Roger Moore, Tribune News Service

“Mad Max: Fury Road”
Action. R, 120 minutes
"Mad Max: Fury Road" is a stunningly effective post-apocalyptic fable, a chilling and yet exhilarating daytime nightmare pitting blindly loyal and bloodthirsty half-humans against implausibly beautiful people clinging to their sense of morality while doing whatever they can to stay alive. In an action-movie world dominated by cartoonishly over-the-top CGI effects and rapid-fire quick cuts, it's exhilarating to see so many set pieces and battle sequences filmed in unbroken tracking shots, some breathtaking wide-angle views and visceral, gritty close-ups.
Rating: Four stars

— Roger Moore, Tribune News Service